bold = main titles, italics= authors, roman = subtitles
| All at Sea | 46:2 | 87 |
| All Saints Church, East Finchley, A new altarpiece for | 46:2 | 98 |
| Amgueddfa'r Gogledd, Llanberis, Stitched textiles and sculpture at | 46:2 | 73 |
| Andean Sun, Sky and Clouds | 46:4 | 202 |
| Andrews, Meg | 46:1 46:3 | 38 170 |
| Art of the Stitch - A Personal View | 46:3 | 152 |
| Arthur, Liz | 46:1 | 36 |
| Ashurst, Liz | 46:4 | 230 |
| 'A Tale to Tell' | 46:2 | 90 |
| Ayrshire embroidery | 46:3 | 84 |
| Ballesteros, Nancy | 46:4 | 226 |
| Beads, Beads and More Beads | 46:4 | 221 |
| Beaney, Jan | 46:2 | 76 |
| Beck, Thomasina | 46:4 | 218 |
| Berry, Chris | 46:4 | 239 |
| Bower, Hilary | 46:3 | 140 |
| Brennand-Wood, Michael | 46:1 | 12 |
| Burrell Collection, Embroidery 1600-1700 at the | 46:1 | 36 |
| Buttonhole | 46:2 | 80 |
| Chinese knot and Pekinese stitch | 46:3 | 166 |
| Colour, Texture & Pattern | 46:3 | 158 |
| Commonwealth Institute, 6-30 April 1995, Exhibition at the | 46:3 | 152 |
| composition, Some thoughts on | 46:2 | 76 |
| Congratulations and Celebration | 46:4 | 239 |
| Couching from Scandinavia | 46:2 | 93 |
| Crompton, Rebecca | 46:1 | 16 |
| Crompton, Rebecca, register | 46:2 | 106 |
| Curtis, Henrietta | 46:2 46:3 46:4 | 80 166 204 |
| Cuttings, Rubbings & Impressions | 46:2 | 100 |
| Cyprus, Goldwork in | 46:3 | 138 |
| Dean, Beryl | 46:2 | 98 |
| Deidre Scherer, A conversation with | 46:1 | 26 |
| Detail Originals: Thinking Like an Artist | 46:4 | 240 |
| Dickens, Susan | 46:4 | 208 |
| Eirian Short | 46:2 | 73 |
| Embroiderers' Development Scheme Conference | 46:1 | 22 |
| Embroiderers' Guild Museum Collection, An introduction to the | 46:4 | 216 |
| Embroiderers' Story, The | 46:4 | 218 |
| Fine art embroideries, Creating | 46:3 | 162 |
| Fitchett, Greta | 46:4 | 202 |
| Freedom to Stitch | 46:1 | 16 |
| From Bayeux to Bokhara | 46:4 | 204 |
| From Print to Stitch | 46:1 | 29 |
| Full Circle | 46:1 | 34 |
| Gick, Daphne | 46:1 | 24 |
| Gilding the Lily | 46:3 | 168 |
| General Assembly of the Church of Scotland, New chairs for the | 46:3 | 144 |
| Goldwork in Cyprus | 46:3 | 138 |
| Good, Kathleen | 46:4 | 240 |
| Greening of the Needle, The | 46:4 | 206 |
| Han Chinese women's shoes | 46:1 | 38 |
| Hay, Janice | 46:2 | 100 |
| Hills, Maggie | 46:1 | 29 |
| Hollingworth, Hilary | 46:1 | 22 |
| Horniblow, Lynn | 46:2 | 82 |
| Howard, Constance | 46:3 | 152 |
| Howse, Karen | 46:3 | 162 |
| Hungarian Apron | 46:4 | 216 |
| Ideas for necklets | 46:4 | 221 |
| Imray, Jean | 46:2 | 93 |
| Inspiration & Intuition | 46:3 | 162 |
| Inspiration - or Plagiarism? | 46:1 | 24 |
| integrity in art and embroidery, Some thoughts on | 46:1 | 24 |
| International Symposium on Textiles | 46:1 | 11 |
| Issett, Ruth | 46:3 | 158 |
| Laying down the Lustre | 46:4 | 226 |
| lino-cuts, Ideas for | 46:2 | 100 |
| Liquitex acrylic mediums, Using | 46:3 | 158 |
| Lochhead, Malcolm | 46:3 | 144 |
| Lotus Steps | 46:1 | 38 |
| Lotus Steps Part 2 | 46:3 | 170 |
| Manchu, The shoes of the | 46:3 | 170 |
| Martin, Sian | 46:4 | 212 |
| Materials Have a Spirit | 46:1 | 12 |
| monoprinting, A variation on | 46:1 | 29 |
| Morrell, Anne | 46:1 | 11 |
| Murray, Margaret | 46:2 46:3 | 84 146 |
| nautical theme, Inspiration for embroidery on a | 46:2 | 87 |
| needlework, Plant names and | 46:4 | 206 |
| Nicholson, Margaret | 46:3 46:4 | 156 221 |
| On Record | 46:2 | 106 |
| Or Nue | 46:3 | 156 |
| Pekinese stitch, Chinese knot and | 46:3 | 166 |
| people and the pictures, Finding the | 46:4 | 218 |
| Philosophy of an Artist | 46:1 | 26 |
| Pinnell, Judith | 46:4 | 226 |
| Pitt-Rivers Museum, Embroidery and the | 46:1 | 34 |
| Plant names and needlework | 46:4 | 206 |
| Poland, June 1995 | 46:4 | 215 |
| Rainbow Chairs | 46:3 | 144 |
| Recent Explorations | 46:2 | 76 |
| Report from Lodz | 46:4 | 215 |
| Ripon and St John, York, University of | 46:1 | 22 |
| Russian Museum of Applied Arts, Moscow | 46:1 | 11 |
| Sami Tin Threads | 46:2 | 93 |
| Scottish needlework | 46:2 | 84 |
| Sculptured embroidery | 46:4 | 240 |
| Sculptured Wilderness, The | 46:4 | 212 |
| Shough, Bernard | 46:4 | 206 |
| Shreeve, Alison | 46:1 | 34 |
| Smith, Ruth | 46:1 | 26 |
| Society of Designer Craftsmen, The | 46:4 | 230 |
| Some ideas for couching | 46:4 | 204 |
| South American arpilleras | 46:4 | 202 |
| Spencer, Elizabeth | 46:2 | 106 |
| Steel, Joan | 46:2 | 90 |
| Stitches for Chinese Embroidery | 46:3 | 166 |
| Szygenda, Lynn | 46:1 46:4 | 16 216 |
| Tassels | 46:2 | 82 |
| Tassel for The World of Embroidery, A | 46:4 | 208 |
| Textile Towers | 46:3 | 140 |
| 'The Golden Madonna' | 46:2 | 98 |
| The Needle's Prayse | 46:1 | 36 |
| Thomson, Elizabeth Grace | 46:1 | 16 |
| velvet, Embroidering on | 46:3 | 168 |
| Vestments for Kykko Monastery | 46:3 | 138 |
| Wade, Margaret | 46:2 | 87 |
| Walker, Audrey | 46:2 | 73 |
| White on White | 46:2 | 84 |
| Whitework | 46:3 | 146 |
| Williams, Ann | 46:3 | 144 |
| Woolner, Barbara | 46:3 | 168 |
| Workshops in Israel | 46:4 | 212 |
| Wrapping, using a couronne stick and a wire frame | 46:2 | 82 |
| Young Textile Group, The | 46:4 | 239 |
| Zarkos, Maria | 46:3 | 138 |